Parkinson’s Disease-Related Voice Change
Voice change that accompanies Parkinson’s disease (PD) typically has two components. One component is a change to the “inner engine” of the voice. It is as if the inner motivation or vitality of communication or voice is damped down; think of the “motor” being limited mostly to “idle” rather than “first, second, third, and fourth” gears. When coaxed or even goaded to produce more vigorous voice, a person with advanced PD may find it hard to impossible (depending upon severity) to increase loudness. If the average person can “choose” vocal loudness settings of 1 through 5, it is as though levels 2 through 5 become inaccessible to the person with PD.
A second component of PD-related voice change is that the larynx becomes weak and atrophied. This is not surprising, since any body part will tend to atrophy if it is never used in a vigorous way. The phenomenology of PD-related voice change is that the voice is overly quiet and soft-edged, and though speech does not tend to become slurred, it can lose its crispness of articulation, and the pace of speech may diminish.
Parkinson’s-Related Voice Change: Larynx Manifestation
This person has the typical PD voice change. His “inner voice” is the main issue. He cannot “collect and express” vitality vocally. This series, on the other hand, focuses on the end-organ (larynx) change that can be the result of loss of vigor.
Bowing and atrophy (1 of 3)
Bowing and atrophy (1 of 3)
Scissoring of left on right cord (2 of 3)
Scissoring of left on right cord (2 of 3)
Atrophy accentuates vocal processes (3 of 3)
Atrophy accentuates vocal processes (3 of 3)
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Here Are 3 Voice Building Strategies for Parkinson’s Disease
Persons with Parkinson’s Disease (PD) often develop weak, even whispery voices. The explanation is not only a weak mechanism (primarily muscles), but also PD’s reduction of the inner vitality that “energizes” voice and speech.
This video outlines a rationale and strategy for voice building designed specifically for PD. The two fundamental ideas are to challenge the muscles of voice and speech, and also to “rev the engine” of the voice.