An encyclopedia about voice, swallowing, airway, coughing, & other head + neck disorders.

Stage Whisper Variant of Adductory Spasmodic Dysphonia (AD-SD)

The common phenomenology of adductory spasmodic dysphonia (AD-SD) includes both strain and phonatory arrests. Strain produces a gravelly, “squeezed and strangled” voice quality, while phonatory arrests cause the voice to “catch” or “grab,” resulting in syllable or word dropouts.

A frequently overlooked variant is tonic variant adductor SD—often misdiagnosed as “muscle tension dysphonia.” Rather than intermittent spasms, this form involves sustained tonic contraction, manifesting as constant strain, with few or no phonatory arrests. The analogy is the “squint” variant of ocular dystonia (blepharospasm), compared with the more typical exaggerated blinking pattern.

Within this tonic category lies a sub-variant we call the “stage-whisper” tonic adductory SD. Because of its whisper-like quality, it may be misinterpreted as abductor SD. However, the defining feature is the squeezed, strained, “stage-whisper” voice, confirming an adductory rather than abductory spasm pattern.

Photo Example

In this series, we compare a patient’s normal glottal configuration—true cords clearly visible and false cords lateralized—with his laryngeal appearance during speech, when his “stage whisper” tonic variant adductory SD is produced by an over-closed larynx.

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Normal Glottal Configuration (1 of 2)

This typical vocal cord configuration for phonation represents what is seen in normal speakers. In this man with “stage-whisper” adductory spasmodic dysphonia, such normal vocal fold approximation occurs only during falsetto phonation. As is often—but not always—the case in adductory SD, the characteristic spasmodic manifestations may be much less evident or even disappear when the patient produces voice in the falsetto register. That explains why the laryngeal configuration here appears entirely normal: he is phonating in his falsetto.

Squeezed Vocal Cords of Tonic Variant Adductory SD (2 of 2)

The same man, speaking in chest register, involuntarily produces his strained, stage whisper quality and the dystonic spasms bring false vocal cords and true cords into an over-adducted posture.

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